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But what if a faith-based movie had a little more star power and a little less sermonizing? That’s the balance some studios are trying to find. “It’s ridiculous - at least get an agnostic!”Įxamples: “Miracles From Heaven,” “ Heaven Is for Real,” “ 90 Minutes in Heaven,” “ Captive”īecause so many faith-based movies tend to inelegantly pontificate, the genre can be a non-starter for some. “You don’t get atheist directors to direct movies that deal with the Bible,” he told Fox News. Sorbo thinks Hollywood learned its lesson about using self-described atheists, such as Scott. The disaster movie seemed like a pretty typical action drama, but one that the studio probably greenlighted to lure the faithful by using nothing more than a biblical title. Maybe it was because the director told the New Yorker that “Noah” was “the least Biblical Biblical film ever made.” And it really did feel that way.
It was supposed to be a success for Aronofsky, in his first foray into mainstream moviemaking after a series of art-house accomplishments. The biblical epic with Russell Crowe as the ark builder brought in $101 million domestically on a budget of $125 million. “Noah” (2014), directed by Darren Aronofsky, fared slightly better. It pulled in $60 million domestically after terrible reviews. Ridley Scott directed “Exodus” (2014), which starred Christian Bale as Moses and never had a hope of making back its $140 million budget. The approach (so far) doesn’t delight the devout or the secular crowd. Sure, the titles sound like something from Sunday school, but the stories aren’t too concerned with biblical accuracy.
For every “ Fireproof” (faith saves a man’s marriage), a 2008 film that made 67 times more money than it cost to make, there are a few bombs like 2014’s “ A Long Way Off” (a modern-day prodigal-son parable), which pulled in just $30,000 at the box office despite an endorsement from Fox News host Sean Hannity.Įxamples: “ Noah,” “ Exodus: Gods and Kings,” “ Left Behind” That isn’t to say that all such movies do well. That’s a similar return on investment to “God’s Not Dead,” which came out the year before and starred Sorbo as a philosophy professor who forces his students to renounce God but gets a religious reawakening instead. The drama made $68 million on a budget of $3 million. Just look at “War Room,” a ham-fisted 2015 movie about a caddish jerk and thief who almost loses everything before he’s saved by prayer. Not that bad reviews are stopping ticket buyers. That objective is more important than production values or plot, which explains why these movies fare so poorly with critics. If actor Kevin Sorbo or “Growing Pains” star Kirk Cameron is involved, you’re most likely watching a movie with the explicit goal of evangelizing.